Anni Albers’ Study Rug

The Study Rug, designed by Anni Albers in 1946, is a significant piece of modernist textile design that exemplifies her innovative approach to weaving and geometric abstraction.  The rug features a striking geometric pattern composed of interlocking rectangular and linear forms. It uses a restrained color palette, typically incorporating natural linen tones with black or dark accents, reflecting Albers’ Bauhaus training and her interest in creating visual rhythm through simple forms.

The design is characterized by:

• A grid-like structure with asymmetrical balance
• Overlapping rectangular shapes creating depth and movement
• Clean, angular lines that create a sense of order and structure
• Subtle variations in texture achieved through weaving techniques
• A modernist approach that combines functionality with abstract design

Albers created this piece while teaching at Black Mountain College, and it reflects her pedagogical interests in combining traditional craft techniques with modern design principles. The Study Rug demonstrates her belief that textiles could be both functional objects and works of art.

The piece is particularly notable for how it translates architectural concepts into textile form, showing Albers’ interest in the relationship between weaving and building. It remains an influential example of mid-century modern textile design and continues to inspire contemporary designers and artists.

The rug was produced by Knoll Textiles, with whom Albers had a long-standing collaborative relationship, and exemplifies the marriage of industrial production with artistic innovation that characterized much of her work.

The Study Rug was initially conceived as a 1926 cotton and silk wall hanging. The original gouache on paper is held in the permanent collection of the Museum of Modern Art.   It is now produced in association with the Josef and Anni Albers Foundation.

One of the most influential textile artists of the 20th century, Anni Albers began her career at the Bauhaus, where – prevented from studying other disciplines as a woman – she took up weaving under the tutelage of Gunta Stölzl. This kickstarted a lifelong passion for the tactile and aesthetic possibilities of textiles and led her to the US, where she became the first textile artist to be honored with a show at the Museum of Modern Art – and the most famous weaver of the modern age.

Made by Christopher Farr of London.

Dimensions:

Small: W 35 3/4″  D 60″

Large:  W 48″  D 72″

Materials: Millspun wool.  Hand tufted.  Produced in association with the Josef and Anni Albers Foundation.